【文章/推荐】惠书文：林惠兴彻底审判了这个时代！
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Art and artists Exhibitions and events Artist interview
ETERNAL SCUIPTURE ART
｜
Rediscovering huixing
永恒的雕塑艺术——再识惠兴
【施法者的魔力矩阵（四章之一）】
The caster's magic matrix
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This thesis is divided into four chapters
Article/Hui shuwen
文/惠书文
Introduction
引言
人属于真核域，是生态系统自然进化的状态结果，是艺术史发展进程中无法规避言及的时空交叉的永恒主题，人之本体与外物关联性在作为传递和解义某个文本来说是值得被探究的课题之一。
People belong to the eukaryotic domain, which is the result of the natural evolution of the ecosystem and the eternal subject of the intersecting time and space that cannot be avoided in the development process of art history. The relation between human noumenon and external objects is one of the topics worth exploring as a text to convey and reconcile meanings.
LIN HUIXING：HUMAN THEATRE
LIN HUIXING ART EXHIBITION·Documentary
人间剧场·林惠兴工作室开放展-纪录片
中国当代艺术历经近四十年的周期生长变化的确涌现了一批卓有建树的艺术家和批评家，尤是八十年代末九十年代初，时至今日，当下青年艺术家、批评家的创作活力并没有像当年那批“盲流”艺术家一般在所处的社会环境和意识形态等背景下发出最激情澎湃的穿透音阶！
LIN HUIXING ART EXHIBITION·Opening ceremony
人间剧场·林惠兴工作室开放展-开幕式
所谓时势造英雄，我认为林惠兴造了时势！潜隐于世的八年艺术创作，其异于常规个展陈列方式的作品首次亮相就将这过往的穿透力质音彻底鸣醒和回绝！他彻底审判了这个时代！也彻底审判了参与展览研讨会的十八位艺术批评家！
LIN HUIXING ART EXHIBITION·Site
人间剧场·林惠兴工作室开放展-现场
Chinese contemporary art after nearly forty years of growth cycle change is the emergence of a batch of accomplished artists and critics, especially is in the late eighty s and early ninety s, today, the vitality of contemporary young artists and critics did not like that year that "people" artists generally by the social environment and ideological background, such as making the most passionate penetrates the scales! The so-called time to create a hero, I think Lin huixing created the time! Hidden in the world of eight years of artistic creation, which is different from the conventional solo exhibition display of works on display will be this past penetrating quality sound completely Ming and rejected! He has judged this age to its core! Also thoroughly tried 18 art critics who participated in the exhibition and seminar!
Human Theatre·Part of works ©Lin Huixing studio
人间剧场·林惠兴工作室
一.塑制生命容器
Chapters I：Plastic life container
林惠兴的艺术行动是一个巨大的社会变迁转移容器，他运用造型艺术里最为本质的语言方式—雕塑，阐释着大千世界里形色相间的人间剧场，是地狱亦是天堂。
Lin huixing's artistic action is a huge container for social change and transfer. He use the most essential language method in plastic arts -- sculpture to explain that the theatre between forms and colors in the world is both hell and heaven.
Human Theatre·Part of works ©Lin Huixing studio
人间剧场·林惠兴工作室
艺术家塑制了一个自由完整内含生命异样症候的有机综合体，这个综合体是个人的，是人类共同体存在生命价值迹象的确定性表述和深度的持续性轨迹追问。
The artist has molded a free and complete organic complex containing the symptoms of life abnormality, which is an individual, a deterministic expression of the signs of life value existing in the human community and a continuous track inquiry of depth.
Human Theatre·Part of works ©Lin Huixing studio
人间剧场·林惠兴工作室
可雕性的物质材料在其雕、制、塑的形式方法上为雕塑界提供了一种新的艺术语言及可视化的阅读语境，也为当下欲望糜烂、浮躁贪婪的时代社会注入了一股原始人本性的清流之气和一颗强有力的兴奋镇定剂，与此同时也为我们个体更清晰明了知晓我们是谁？我们要到哪里去？我们活着的意义是什么？
Can be carved material in its carving, system, plastic method provides the sculpture in the form of a new art language and visual reading context, as well as the present desire erosion, impetuous era of greed society into a stream of the primitive nature of the breath of a clean and a strong excitement tranquilizer, at the same time also for our individual is more clear about who we are? Where are we going? What is the meaning of our existence?
Human Theatre·Part of works ©Lin Huixing studio
人间剧场·林惠兴工作室
林惠兴的艺术作品是一部直逼人类精神深处共振的灵魂史诗。这部史诗你能察观到他与古人的对话留白，也能感受到他和现当代人的交集互动。奥尔麦克文化（墨西哥文明的前身），公元前300年左右的玛雅文化或是华夏文明原始社会初期的石雕、木雕作品皆反应了人在自然社会环境中个体去诉诸视觉空间形象的诠述方式，相较于独立的艺术创作而言，他们本身还停留在农耕文化和现代社会文明转型过程中。
Human Theatre·Part of works ©Lin Huixing studio
人间剧场·林惠兴工作室
Lin huixing's works of art are an epic of soul that resonates in the depths of human spirit. In this epic, you can observe his dialogue with the ancients and feel his interaction with modern and contemporary people. Olmec culture civilization (Mexico), about 300 BC the mayan culture or a primitive society of the early Chinese civilization stone carving, wood carving works reflect people in social environment to individual to resort to visual space image interpretation of above, compared with independent art creation is concerned, they are still in the farming culture and the transformation of modern social civilization.
Human Theatre·Part of works ©Lin Huixing studio
人间剧场·林惠兴工作室
“未来派”雕塑家昂伯托·波菊尼宣称：“绝对地和彻底地放弃有限的线条和封闭的雕塑，让我们把人体打开，把环境关闭到人体里面去。”而林惠兴的艺术创作则把我们每个个体关进并封闭在他自我塑制的一个真实、惊悚、理想、压抑的生命容器之中，此容器塑制的不可复制性环节显然已被他构建的场域取代了我们原本一以贯之的生活时空的能量体里。"
Human Theatre·Part of works ©Lin Huixing studio
人间剧场·林惠兴工作室
The futurist sculptor umberto bojuini declared:" to give up absolutely and completely limited lines and closed sculpture, let's open the human body and close the environment into the human body. Lin huixing's artistic creation, on the other hand, closes each of us into a real, scary, ideal and depressing life container made by Lin huixing. The non-reproducible part of this container's molding has obviously been replaced by the field he constructed in our original energy body of life space and time.
Human Theatre·Part of works ©Lin Huixing studio
人间剧场·林惠兴工作室
二.施法者的魔力矩阵
CHAPTER II：The caster's magic matrix
林惠兴是一位精力充沛、勤奋的魔法师，当你置身剧场中的“地下王国”时，你会发现个人思想意志的权力完全被他的作品所架空和掌控；在展览现场，你也会发现他在对作品彼此关系的联动性或是整个空间与独立作品的关系属性时，竟有着独特别致的精心设计和排兵布阵。
Human Theatre·Part of works ©Lin Huixing studio
人间剧场·林惠兴工作室
Lin huixing is an energetic and diligent sorcerer. When you are in the "underground kingdom" in the theater, you will find that the power of individual thought and will is completely set up and controlled by his works. At the exhibition site, you will also find that he has a unique and elaborate design and arrangement of troops when he is concerned about the linkage between the works or the relationship between the whole space and the independent works.
Human Theatre·Part of works ©Lin Huixing studio
人间剧场·林惠兴工作室
形态、体量、方向各异的群组雕塑和独立雕塑被安放在特定的合适位置，他们彼此对话言语。丰富多态的人物表情和男性女性生殖器，混沌中的迷茫、暴力再现、露骨之于肤、生命完结；原生态的普质物料，青铜、铁、木头；数以万计的羽毛，在手中拿捏、空中悬置、地面上散尽；多圈缠绕的绳索，善变的土黄色、无序的厚度；锻造过的陈旧箱子，缝补的愕然、躁动的乖巧；由下而上的木梯，参差不一、纹络紊乱；精级黑边的铁笼，缜密惊恐、冰冷透质；阴秘诡谲的光照……
Human Theatre·Part of works ©Lin Huixing studio
人间剧场·林惠兴工作室
Groups and individual sculptures of various shapes, volumes and directions are placed in a specific place where they speak to each other. Rich polymorphic character expression and male and female genitals, confusion in chaos, violent reproduction, explicit in the skin, the end of life; General materials of the original ecology, bronze, iron and wood; Tens of thousands of feathers, held in the hands, suspended in the air, scattered on the ground; Multiple winding rope, variable yellow, disorderly thickness; Forge the old box, sewing stunned, restless clever; From the bottom up the wooden ladder, uneven, irregular veins disorder; Fine grade black edge of the iron cage, careful panic, cold through the quality; The treacherous light...
Human Theatre·Part of works ©Lin Huixing studio
人间剧场·林惠兴工作室
定格短暂分秒转换的光线照应着我们生命时间的缓缓流动消逝，尺度的描绘方式打破了人类固有接纳的界限选择和法度跨越的模式，林惠兴冲击着既定成规的三维的、视觉的、静态的传统陈列雕塑作品的展览方式，多维的时空心态正是他探索人之所以现身“人间剧场”的奥秘所在和精神指向需求。
Human Theatre·Part of works ©Lin Huixing studio
人间剧场·林惠兴工作室
Stopped short minutes look after converting light our life time flows slowly faded, scale described ways to break the boundaries of the inherent human accept selection and testimonies cross pattern, breaks the "rules" Lin Huixing of three-dimensional display, visual and static of traditional sculpture exhibition, multi-dimensional space-time mentality is his exploring people's appearance "theatre" of human's mystery and points to the spiritual needs.
Human Theatre·Part of works ©Lin Huixing studio
人间剧场·林惠兴工作室
三.叛逆宣言的旗帜者
Chapter III：Banner of the Declaration of Rebellion
林惠兴的艺术是对时代潮流靡新艺术形式的审判，这种审判力带有强制性的煽动性和神秘性、非物质性，其艺术语言是对人类初始欲念不晰的反复拷问和刨根问底般的执着叙述。
Lin huixing's art is the trial of the new art form of the trend of The Times. This kind of trial force is mandatory seditious, mysterious and immaterial. Its artistic language is the repeated torture and persistent narration of the unclear initial desire of human beings.
Human Theatre·Part of works ©Lin Huixing studio
人间剧场·林惠兴工作室
艺术家对周遭环境生态本能的身心反应无疑予以我们视觉经验极大的感官刺激，是对建立于传统美学之中既定审美范畴样式的颠覆和挑战；旗帜的伫立是他坚实果敢的艺术态度和立场，是对当下美术馆、机构和空间掌权者的叛逆宣言，更是艺术家个体对人类灵魂之躯和精神之地的真实写照及净升物化。
Human Theatre·Part of works ©Lin Huixing studio
人间剧场·林惠兴工作室
The artist's physical and mental response to the ecological instinct of the surrounding environment undoubtedly gives us great sensory stimulation of visual experience, which is a subversion and challenge to the established aesthetic category in traditional aesthetics. The flag is his firm and resolute artistic attitude and stance, a rebellious declaration of the current art museum, institution and space authority, as well as the artist's true portrayal of the human soul and spiritual land and the pure and elevated materialization.
Human Theatre·Part of works ©Lin Huixing studio
人间剧场·林惠兴工作室
四.大手笔后的勃勃野心
CHAPTER IV：Ambitious after a big deal
我不止一次的问过同行、艺术家：你觉得艺术在这个社会当中扮演的是何种角色？艺术家能对我们所在的社会产生一定影响意义或者效应带吗？我想当你看完林惠兴的作品后，你会找到答案。
I have asked my peers and artists more than once: what role do you think art plays in this society? Can artists exert a certain influence on the society we live in? I think when you finish reading Lin huixing's works, you will find the answer.
Human Theatre·Part of works ©Lin Huixing studio
人间剧场·林惠兴工作室
他毅然摒弃抛舍了不设任何防线的艺术森林墙，加以冠之自我对艺术庞大格局的自制力和冗繁的修正主义决心。林惠兴的艺术输出自制力和输入决心在任何时代中的宗教、信仰、哲学等意识形态前直接冲击了主流的审美艺术姿态，叩响并引爆了社会本质形态的物欲大门和坚固壁垒！
Human Theatre·Part of works ©Lin Huixing studio
人间剧场·林惠兴工作室
He resolutely abandoned the forest wall of art without any defensive line and crowned it with his self-control over the huge pattern of art and his redundant revisionist determination. Lin huixing's artistic output self-control and input determination have directly impacted the mainstream aesthetic artistic posture before religion, belief, philosophy and other ideologies in any era, knocked on and exploded the materialistic gate and solid barrier of the essential form of society!
Human Theatre·Part of works ©Lin Huixing studio
人间剧场·林惠兴工作室
他不为自己，只为艺术可以名以正、言而顺的解脱个体存在的必要性价值体现和这个世界正处于苦难之中的人们得以引起心灵共鸣及思想解放的悲怆荒诞！
He did not do it for himself, but only for the sake of the necessity and value of art to liberate the existence of individuals by virtue of justice and speech, and the tragic absurdity that people who are suffering in this world can arouse the resonance of their hearts and the liberation of their minds!
Human Theatre·Part of works ©Lin Huixing studio
人间剧场·林惠兴工作室
我坚信：林惠兴的艺术手笔还没有完全爆发自己内心深处的勃勃野心！因为野心计划的制定和修炼手册的呈现对于他来说目前只是对前八年艺术创作勾勒的一张自我校正审视的客观草图，真正的蓝图萌芽和致命性暴动才刚刚开始……
Human Theatre·Part of works ©Lin Huixing studio
人间剧场·林惠兴工作室
I firmly believe that Lin huixing's artistic writing has not completely exploded his own inner ambition! For him, the formulation of the ambitious plan and the presentation of the training manual are only an objective sketch of the self-correction and review of his artistic creation in the first eight years. The real blueprint germination and deadly insurrection are just beginning...
Human Theatre·Part of works ©Lin Huixing studio
人间剧场·林惠兴工作室
2018年12月1日
于北京·南锣鼓巷
惠书文
December 1, 2018
Nanluogu lane, Beijing
Hui Shuwen
LIN HUIXING ART EXHIBITION
人间剧场·林惠兴工作室开放展
Artist Lin Huixing and Eighteen Art Critics
艺术家林惠兴与十八位艺术批评家合影
◐ 关于艺术家·林惠兴
C V
LIN HUIXING
林惠兴，生于1987年，福建籍职业雕塑艺术家
现居北京宋庄
参展经历
个展
2018.10
人间剧场，林惠兴工作室开放展，北京
联展
作品《阿美》北京当代艺术馆十周年庆提名展 伙伴
2017.9
作品《秘密》第二届“墙势力——墙报艺术家展”·北京
2017.3
作品《茫沙》系列参展首个中国女性主义网络大展·北京
2016.11
作品《秘密》参展“回眸之望”第一届中国艺术媒体年度提名展［主题展］·中山
2016.11
作品《阿美》、《色戒》系列参展“意识的温度”国际当代艺术交流展·温州
2016.10
作品《你所看到的就是它应有的样子》参展“海纳百川，壁立千仞”主题联展·北京
2016.10
作品《审判》参展“1976纪念文革50周年微信串联邀请展”·北京
2016.8
作品《阿美与它的现场》参展宋庄美术馆建馆10周年系列展“再肖像”·北京
2016.6
作品《你所看到的就是它应有的样子》参展“破冰时代”雕塑巡回展·北京，上海
2016.6
作品《阿美》参展“模糊边界”宋庄新锐艺术家邀请展·北京
2016.5
作品《鹭鸶》参展首届峨眉当代艺术邀请展·四川
2016.1
作品《十字花》参展当当艺术展·北京
2015.10
作品《秘密》参展第九届中国·宋庄文化艺术节主体展·北京
2015.2
作品《色壳子》参展首届“乌合”全国青年艺术家作品展·上海
2015.1
作品《天空》系列参展2015年度三里屯太古里年轻艺术家奖·北京
2015.1
作品《无题》系列参展首届中国基督教艺术展暨首届十字架装置艺术展·北京
2014.12
作品《神秘花园》入选第一届“雅昌·保利新势力”提名展·北京
2014.9
作品《天空》系列参展“引爆你的头脑”北京罗丹国际美术馆•中外艺术群展
2013.9
作品《同林鸟》参展首届长城(金山岭)国际当代艺术双年展
2013.6
◐ 关于策展人·惠书文
C V
HUI SHUWEN
惠书文
现任郑州彩虹盒子美术馆馆长
重庆目击者当代艺术空间艺术总监
猎质国际当代艺术双年展创办人、一甸艺术空间创始人之一
当代艺术策划人与创作者
2014年开始致力于独立艺术空间的创建与运营，Rainbow box project发起人，An Art Space策展人，担任2018年度猎质国际当代艺术双年展全国巡展总策展人（中国郑州–彩虹盒子美术馆、中国中山–中山美术馆、中国珠海–古元美术馆，中国重庆–华人当代美术馆/目击者当代艺术空间/7101美术馆/界外美术馆，中国西安–崔振宽美术馆，中国成都–成都大学美术馆，中国南京–可一美术馆，担任2018中国商丘抽象国际邀请展联合策展人，担任2018首届夜郎谷现场艺术周学术观察，曾朴：变相＆刘亭君：爱吾及物双个展，同时参与多个美术馆和画廊项目的监制、策划、主持等工作，撰写即时展览评论及挖掘推广国内外优质艺术家。
2018年An Art Space最值得关注的十五位艺术家！
【文章/推荐】韩东：当代艺术和古典艺术有语法上的继承关系，又有语法上的变化关系。
© Hui Shuwen＆Lin Huixing
This article is published by exclusive AN-ART SPACE, the artist authorized to publish, without permission, please do not reprint.
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